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Bruce Frank Primitive Art
New York City, NY
+1 917 733 9589

Mandau Handle

Possibly Iban Dayak, Borneo
19th–early 20th century
Carved deer antler, rattan

Provenance: Rodger Dashow collection, Boston

The mandau, the traditional sword of the Dayak peoples of Borneo, was both a practical weapon and a potent symbol of status, identity, and spiritual power. The finest examples were adorned with intricately carved handles fashioned from deer antler, a material prized for its durability and its suitability for detailed carving. This remarkable handle displays a dense arrangement of scrolls, spirals, and projecting tubular forms that coalesce into a highly stylized supernatural face. Such imagery was believed to invoke protective forces, imbuing the weapon and its owner with strength and spiritual efficacy.

What makes this example especially compelling is the extraordinary complexity of its carving. The artist has transformed a single piece of antler into a sculptural composition of remarkable depth, balancing openwork passages with bold relief carving to create a surface that rewards prolonged examination. From every angle new forms emerge from the labyrinth of curving motifs. The warm honey-colored patina of the antler contrasts beautifully with the finely woven rattan grip, highlighting both materials and emphasizing the object’s dual nature as weapon and work of art.

Mandau Handle

Possibly Iban Dayak, Borneo
19th–early 20th century
Carved deer antler, rattan

Provenance: Rodger Dashow collection, Boston

The mandau, the traditional sword of the Dayak peoples of Borneo, was both a practical weapon and a potent symbol of status, identity, and spiritual power. The finest examples were adorned with intricately carved handles fashioned from deer antler, a material prized for its durability and its suitability for detailed carving. This remarkable handle displays a dense arrangement of scrolls, spirals, and projecting tubular forms that coalesce into a highly stylized supernatural face. Such imagery was believed to invoke protective forces, imbuing the weapon and its owner with strength and spiritual efficacy.

What makes this example especially compelling is the extraordinary complexity of its carving. The artist has transformed a single piece of antler into a sculptural composition of remarkable depth, balancing openwork passages with bold relief carving to create a surface that rewards prolonged examination. From every angle new forms emerge from the labyrinth of curving motifs. The warm honey-colored patina of the antler contrasts beautifully with the finely woven rattan grip, highlighting both materials and emphasizing the object’s dual nature as weapon and work of art.

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