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Bruce Frank Primitive Art
New York City, NY
+1 917 733 9589

Lime Container

Massim, Trobriand Islands, Papua New Guinea
Early 20th c.

Provenance: Old American collection

This finely carved lime container made from a coconut shell transforms an everyday object of betel chewing into a striking piece of sculpture. At first glance the decoration appears purely geometric—bands of densely incised concentric rings and rhythmic tick-mark patterns wrapping around the surface. But look closer and a face slowly emerges.

The circular opening becomes the mouth, while two carefully carved eyes—still retaining traces of white lime inlay—stare outward from the surface. This subtle anthropomorphic design gives the container a quiet presence, turning a utilitarian vessel into a small spirit-like visage. Across the coconut shell, the artist filled the surface with precise engraved registers and zig-zag motifs, creating a kaleidoscope of pattern that echoes the graphic language found throughout the Massim artistic tradition. Years of handling and use have left a beautiful worn patina, the darkened coconut shell polished smooth in places and softened by time. The result is an object that carries both visual power and the quiet evidence of long use. A humble coconut—transformed into a face, a vessel, and a work of art.

Lime Container

Massim, Trobriand Islands, Papua New Guinea
Early 20th c.

Provenance: Old American collection

This finely carved lime container made from a coconut shell transforms an everyday object of betel chewing into a striking piece of sculpture. At first glance the decoration appears purely geometric—bands of densely incised concentric rings and rhythmic tick-mark patterns wrapping around the surface. But look closer and a face slowly emerges.

The circular opening becomes the mouth, while two carefully carved eyes—still retaining traces of white lime inlay—stare outward from the surface. This subtle anthropomorphic design gives the container a quiet presence, turning a utilitarian vessel into a small spirit-like visage. Across the coconut shell, the artist filled the surface with precise engraved registers and zig-zag motifs, creating a kaleidoscope of pattern that echoes the graphic language found throughout the Massim artistic tradition. Years of handling and use have left a beautiful worn patina, the darkened coconut shell polished smooth in places and softened by time. The result is an object that carries both visual power and the quiet evidence of long use. A humble coconut—transformed into a face, a vessel, and a work of art.

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