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Bruce Frank Primitive Art
New York City, NY
+1 917 733 9589

Amulet Figure

Lower Yuat region, Papua New Guinea
19th c.

Acquired from an old French collection
The writings of Father Karl Laumann, a Roman Catholic priest stationed at Kanduanum Mission on the banks of the Sepik River from the 1930s to the 1950s, depict similar wooden figures as representations of river or bush spirits, believed to ensure success in hunting and warfare.

This figure features a tapered nose with a pierced septum, closely set oval-shaped eyes, distinct ears, and prominent lips. A lug has been intricately carved on the back of the head, likely for suspension purposes. Its elbow and knee joints display fine craftsmanship, while its elongated head is subtly turned to the left. Clasping an object in front of its body with arms bent upwards towards the chin, this mysterious object bears resemblance to adornments found on flute ornaments from the Lower Yuat and Sawos regions. Remarkably well-preserved, traces of its original pigment still adorn its face, adding to its allure. The figure boasts a varied and rich dark brown patina, enhancing its visual appeal. Beneath its wooden base lies the mark of the renowned Parisian base maker, Inagaki, further adding to its provenance and intrigue.

Amulet Figure

Lower Yuat region, Papua New Guinea
19th c.

Acquired from an old French collection
The writings of Father Karl Laumann, a Roman Catholic priest stationed at Kanduanum Mission on the banks of the Sepik River from the 1930s to the 1950s, depict similar wooden figures as representations of river or bush spirits, believed to ensure success in hunting and warfare.

This figure features a tapered nose with a pierced septum, closely set oval-shaped eyes, distinct ears, and prominent lips. A lug has been intricately carved on the back of the head, likely for suspension purposes. Its elbow and knee joints display fine craftsmanship, while its elongated head is subtly turned to the left. Clasping an object in front of its body with arms bent upwards towards the chin, this mysterious object bears resemblance to adornments found on flute ornaments from the Lower Yuat and Sawos regions. Remarkably well-preserved, traces of its original pigment still adorn its face, adding to its allure. The figure boasts a varied and rich dark brown patina, enhancing its visual appeal. Beneath its wooden base lies the mark of the renowned Parisian base maker, Inagaki, further adding to its provenance and intrigue.

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