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Bruce Frank Primitive Art
New York City, NY
+1 917 733 9589

Power Figure

Songye, Dem. Rep. of Congo
19th c.

Provenance: Dominique Coffignier, Vienna

This remarkable small figure is expertly crafted in a standing posture, the figure’s torso is covered in a tapestry of meticulously layered cloth strips.  Its arms gracefully rest at its sides, while its hands find a serene placement on its belly, evoking a profound sense of calm and contemplation. Notably, at the back of the figure’s arms, there are two substantial, well-worn apertures, suggesting a frequent role in ceremonial rites.

Yet, what truly captivates the observer is the figure’s coiffure and face, adorned with a meticulously arranged array of metal strips and tacks. The patina, dark and encrusted, serves as a poignant testament to the countless ritual libations that have sanctified this extraordinary piece over the passage of time.

Within the rich tapestry of Songye culture, these figures hold deep-seated ritual significance. They often function as guardian spirits or fetish objects, standing as stalwart protectors of both the community and individuals against malevolent forces. The metal embellishments on the figure’s face symbolize the accumulation of spiritual power and protection, each piece representing a distinct ritual or offering. As libations are poured over the figure, the patina deepens, symbolizing the fortification of its spiritual presence. In Songye religious practices, these figures serve as tangible conduits to the spiritual realm, bridging the profound gap between the physical and metaphysical worlds.

Power Figure

Songye, Dem. Rep. of Congo
19th c.

Provenance: Dominique Coffignier, Vienna

This remarkable small figure is expertly crafted in a standing posture, the figure’s torso is covered in a tapestry of meticulously layered cloth strips.  Its arms gracefully rest at its sides, while its hands find a serene placement on its belly, evoking a profound sense of calm and contemplation. Notably, at the back of the figure’s arms, there are two substantial, well-worn apertures, suggesting a frequent role in ceremonial rites.

Yet, what truly captivates the observer is the figure’s coiffure and face, adorned with a meticulously arranged array of metal strips and tacks. The patina, dark and encrusted, serves as a poignant testament to the countless ritual libations that have sanctified this extraordinary piece over the passage of time.

Within the rich tapestry of Songye culture, these figures hold deep-seated ritual significance. They often function as guardian spirits or fetish objects, standing as stalwart protectors of both the community and individuals against malevolent forces. The metal embellishments on the figure’s face symbolize the accumulation of spiritual power and protection, each piece representing a distinct ritual or offering. As libations are poured over the figure, the patina deepens, symbolizing the fortification of its spiritual presence. In Songye religious practices, these figures serve as tangible conduits to the spiritual realm, bridging the profound gap between the physical and metaphysical worlds.

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