Galut Mask

Abelam people, Papua New Guinea
Early 20th century

Provenance: Anthony Meyer, Paris. Caroline Jolles collection, Paris. Private New York City collection.

This powerful galut mask originates from the Abelam people of the Sepik region and was traditionally used in male initiation ceremonies and ritual performances.  Such masks were not static objects but active presences, animated through movement, sound, and communal engagement.

The mask is distinguished by its compact, architectonic form and heavily worked surface, bearing a deep, encrusted patina that speaks to great age and prolonged ritual use. The surface texture shows clear evidence of repeated handling, exposure, and ceremonial wear, resulting in a rich, granular crust that enhances its sculptural presence.

Particularly striking is the dramatic cascade of chain-link rattan fiber suspended below the mask. This dangling element adds both visual weight and kinetic energy, transforming the object when worn or displayed, and reinforcing the mask’s performative nature. The contrast between the dense, aged head form and the flowing, articulated rattan strands creates a compelling balance of solidity and movement—an aesthetic hallmark of Abelam ceremonial art.