Jar Stopper (Heirloom Storage Jar Top)

Kayanic Dayak, Borneo, Indonesia
19th-Early 20th c.
Wood

Provenance: Rodger Dashow collection, Boston

Published: “Indonesian Tribal Art”, Carpenter, Bruce, 2015, pg. 240

This sculptural element served as the stopper or lid for a large Chinese heirloom trade jar, objects that held great material and symbolic value among Dayak communities. Carved in bold, high relief, the composition rises dramatically from the circular base, transforming a functional component into a striking sculptural form.

At the center appears an aso—the powerful dragon-dog spirit central to Dayak cosmology—rendered with an arched body and assertive presence. Projecting from its sides are additional heads: human-like and animal-like forms, as well as a second aso with an open mouth exposing teeth. These radiating elements create a dynamic, almost centrifugal composition, animated from every angle and emphasizing movement, protection, and spiritual potency.

Beyond their symbolic role, the large aso also served a practical function. Acting as a handle, that allowed the stopper to be grasped and lifted from the jar with ease—an elegant fusion of sculpture and use. The surface bears a beautifully worn, well-handled patina, the result of repeated contact over generations, softening the carving and enhancing its sculptural depth.