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Bruce Frank Primitive Art
New York City, NY
+1 917 733 9589

Aso Beam Finial

Bahau Dayak, East Kalimantan, Borneo
19th–early 20th century
Wood

Provenance: Rodger Dashow collection, Boston
Published: “Indonesian Tribal Art, pgs. 166-167

This striking carving depicts the aso, the mythical dragon-dog that occupies a central place in Dayak visual culture. Combining attributes of both canine and serpentine beings, the aso serves as a powerful protective spirit associated with ancestry, fertility, and the supernatural realm. Carved at the end of a structural beam, this sculpture once formed part of a cave altar,  where it acted as both guardian and intermediary between the living and the spirits of the dead. The dynamic composition, with the creature’s elongated body flowing into a fierce, open-mouthed head, demonstrates the Bahau carver’s remarkable ability to transform architectural elements into compelling sculptural forms.

Particularly noteworthy is the object’s beautiful cave patina. Over many decades within the humid environment of a burial cave, airborne minerals, moisture, dust, smoke residues, and microscopic biological activity gradually accumulated on the wood’s surface. The result is a distinctive pale gray-brown bloom that softens the carving and settles into recesses while leaving exposed areas subtly polished. 

Entire length: 22 in / 55.9 cm

Aso Beam Finial

Bahau Dayak, East Kalimantan, Borneo
19th–early 20th century
Wood

Provenance: Rodger Dashow collection, Boston
Published: “Indonesian Tribal Art, pgs. 166-167

This striking carving depicts the aso, the mythical dragon-dog that occupies a central place in Dayak visual culture. Combining attributes of both canine and serpentine beings, the aso serves as a powerful protective spirit associated with ancestry, fertility, and the supernatural realm. Carved at the end of a structural beam, this sculpture once formed part of a cave altar,  where it acted as both guardian and intermediary between the living and the spirits of the dead. The dynamic composition, with the creature’s elongated body flowing into a fierce, open-mouthed head, demonstrates the Bahau carver’s remarkable ability to transform architectural elements into compelling sculptural forms.

Particularly noteworthy is the object’s beautiful cave patina. Over many decades within the humid environment of a burial cave, airborne minerals, moisture, dust, smoke residues, and microscopic biological activity gradually accumulated on the wood’s surface. The result is a distinctive pale gray-brown bloom that softens the carving and settles into recesses while leaving exposed areas subtly polished. 

Entire length: 22 in / 55.9 cm

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